La transmission musicale traditionnelle en contexte arabe oriental face à la partition et à l’archive sonore

Abstract : The traditional transmission of the Arab art music of the Near East is based on the aural acquisition of a canonical corpus and on the initiation process from master to disciple, that cultivates hermeneutic and creative faculties. The interference of modernity stimulates the use of new mediations such as the sound recording and the score, and induces acculturative mutations. This paper suggests an approach of the dialectical relationship established between the traditional initiation and the modern mediation of score and archive’s listening, from the double point of view of the general musicology and the science of music education, while trying to reformulate and integrate the pedagogical use of these mediums within the prerequisites of the hermeneutical protocol.
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Nidaa Abou Mrad, Bouchra Béchéalany. La transmission musicale traditionnelle en contexte arabe oriental face à la partition et à l’archive sonore. Revue des Traditions Musicales des Mondes Arabe et Méditerranéen, Editions de l'Université Antonine, 2010, Un siècle d'enregistrements, matériaux pour l'étude et la transmission (1), pp.25-42. ⟨http://www.upa.edu.lb/editions-de-l-ua/periodiques/revue-des-traditions-musicales-des-mondes-arabe-et-mediterraneen-rtmmam.html⟩. ⟨hal-01230961⟩

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